We always record on location in real spaces rather than the studio, and take advantage of high-resolution digital formats. We aim for a natural and detailed sound using carefully chosen equipment, minimal microphone placement and a direct-to-disc recording path.

Though we have access to state-of-the-art editing and signal processing facilities, our preferred approach is to render actual musical performances rather than a patchwork of edits and EQ 'fixes'. Our aim is to produce recordings with an immediate and ‘life-like’ quality, with a vibrancy suited to the mood of the works themselves. It has been said that our digital recordings resemble quality vinyl in their richness, mood and space.

Our production philosophy is to encourage performance from both sides of the microphone. We work as a team to create a relaxed atmosphere in which the musicians determine the pace and actually enjoy the recording process. Engineers are expected to understand works as well as the producers and deliver a premium-quality sound. Editing is viewed as a tool to remove extraneous noise rather than a crutch to bolster performance. This may make great demands on the creative team, but it is how we believe great chamber music should be captured.